In an ongoing series, Drew Trotter of the Consortium of Christian Study Centers is sharing his reflections on this yearâ€™s Academy Awards Best Picture Nominees.Â For the whole series,Â click here. Image Credit: Jojo Rabbit Promotional Image, from https://tickets.jojorabbit.com/ (Fair Use: Criticism)
Jojo Rabbit (PG-13, 108 mins.)
Director: Taika Waititi. Writers: Taika Waititi (screenplay), Christine Leunens (novel, Caging Skies). Cast: Roman Griffin Davis, Thomasin McKenzie, Scarlett Johansson, Taika Waititi, Sam Rockwell.
Genre: Comedy, Drama, War.
Plot Outline: A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home. â€”Summary drawn from IMDB
Jojo Rabbit is perhaps the strangest, most disconcerting of the nine nominees for Best Picture. Framed around the thought-life of a ten-year old boy in a small town in Nazi Germany, Jojo dips in and out of his imaginary world, often resting in scenes of dialogue with his imaginary friend, none other than Adolph Hitler. This Hitler, not surprisingly, is a very different one from the historical leader of the Third Reich. He flops and dances around, as a ten-year oldâ€™s dreams would have him do, sometimes being authoritative, sometimes simply a friend, and only slowly becoming threatening as Jojo begins to see him as he â€œreally is.â€
A coming-of-age story of sorts, this movie achieves a balance between the horrific and the comic in a way that I have rarely seen except from Quentin Tarantino. Tarantinoâ€™s films all center themselves, though, in alternate realities that are objectively presented. Jojo is a psychological romp through a small boyâ€™s world, and Jojoâ€™s fantastical innocence about Nazism, war, and, of course, Hitler himself, is disquieting to the viewer. As viewers, we know at least enough about these things not only not to romanticize them as a ten year-old, but also to react to the main characterâ€™s fantasies with the desire to correct him, even shout at him and rebuke him. One of the strongest things about the film is the part of Scarlett Johansson, who plays Jojoâ€™s mother, and is outstanding in the role (she was also nominated for an Oscar). Never rebuking him for his fixation on wanting to be a good Nazi, she just loves him, correcting him as a good mother would, all the while quietly housing a Jewish girl behind the walls of her house without Jojoâ€™s knowledge.
This film grows on the viewer, long after leaving the theater. It was disturbing to me, while I viewed it; after all, what can be funny about Hitler?! Thereâ€™s an obvious parallel to the original film version of The Producers, in which Jewish comedian Mel Brooks tells the story of a scam involving the imaginary play Springtime for Hitler. While many critics feel that Brooks succeeded at what he wanted to do in that film, and the same could be argued about Jojo Rabbit, I couldnâ€™t stop thinking about Jewish friends and what their reaction to the foppish, silly Hitler in this film might be. But Jojoâ€™s sympathy for the young boy in his misguided innocence, as he begins to experience both the destruction of the world he has built in his imagination and the tragic realities that were possible in the real Nazi world, wins one over as a means to explore generally the horrors of war, racism, unthinking militarism, and particularly the outrage of Hitlerâ€™s Germany.
Jojo Rabbit is an alternately sweet, funny, tragic, but always thoughtful movie about little boys, fantasy, reality, and growing up. It is as discussion-worthy as any of this yearâ€™s nominees, the heart-wrenching ending providing perhaps the richest food for thought. An amazing film.
About the author:
Drew Trotter is the Executive Director of the Consortium of Christian Study Centers. He was for twenty-two years the Executive Director and President of the Center for Christian Study in Charlottesville, VA. Drew has written on film and popular culture for over thirty years in such publications as Books & Culture, Christianity Today and Critique, and in the field of Biblical studies published Interpreting the Epistle to the Hebrews (Baker, 1997). For over twenty years, he has presented a seminar entitled Show and Tell: How to View a Movie Responsibly, helping laypeople and students in churches, Christian college and secular university environments understand this powerful medium and how to think about its influence both on the individual and the society. He has taught seminars on popular culture, university education in America today, a Biblical model of discipleship and how to interpret the Scriptures. Also a well-respected Bible teacher, Drew has lectured and preached at seminaries, churches and colleges throughout the United States and Canada on a wide variety of topics including prayer, discipleship, and Christian cultural awareness. Drew has three sons, two daughters-in-law and six grandchildren and lives with his wife of forty-seven years, Marie, in Charlottesville, VA. You can view the Consortium of Christian Study Centers website here: https://studycentersonline.org/