After a brutal series of Christmas shifts working in the Emergency Room, I had finally come home for the holidays. My mother and I were in the kitchen, talking like we used to. We had seen and loved the new Les Miserables film, and so I brought up an interesting question from an interview with Samantha Barks, who played Eponine:
Interviewer: I think aside from “I Dreamed a Dream”, “On My Own” is probably one of the most loved songs of the musical, and I think it’s fascinating that the two most recognized and loved are just the two most heartbreaking songs, so what does it say about us as an audience that the songs that we connect with are the most heartbreaking songs?
My mother was quiet as she thought about it. “I think,” she said, “that it is something we all share in common. We all suffer, and know what it means to lose a dream or to be disappointed. We all know how it feels.”
In those moments, I was reminded of how much of her life and our family history was filled with a tragedy not too different from that of Les Miserables. Half of our family tree was missing or unknown, scattered and wiped out during the war in China. My grandparents’ histories were characterized by their flight from the war: watching massacres of schoolmates while hiding in the bushes, stepping on dead bodies to avoid landmines, being trafficked via hay carts and ships in order to seek refuge abroad. My parents grew up in the grinding poverty of rural villages, their childhood overshadowed by the threat of imminent war, their education grimly driven by the hope of an opportunity to emigrate to the US so that they could form a family here . . . so that their future children — meaning I — could have a better life.
Without knowing my thoughts, my mother spoke again. “I really like that song from the carriage… where he has the little girl sleeping in his lap and realizes that everything is different now he has a child.” She paused. “You know, everything is different when there is a child. Your whole world changes.”
“I have had this all my life, and I am going to get wid of it!”
“Rid of it,” her therapist corrected.
“W-right.” She turned her head to grin at us, and I couldn’t stop smiling. We were all lying on exercise mats in the therapy rooms because, as the therapist taught us, we could use “gwavity” to help roll those “r’s” better. I was sure she was one of the therapist’s favorite patients: diligent, focused, and with a personality composed entirely of laughter and light. In less than fifteen minutes, through listening to her “chawming pwonun-sheation,” I had already named her as a favorite. Few of my little patients were as mature, knowledgeable, and thrillingly articulate at the dignified age of seven.
And in that moment, I thought about the Newtown massacre and the fact that there must have been precious little difference between any of those children and this young girl who was now sprinkling glitter on a craft snowman, that even the best and brightest of us still live in that same world of terrors.
My mother spoke again. “My favorite song is that one Jean Valjean prays, about bringing him home . . . it is such a beautiful prayer. He says, ‘You can take, you can give . . . If I die, let me die; let him live . . . bring him home.’”
We talked some more, then she said this: “Life is filled with such suffering, you know. There is so much sorrow . . . but there are moments when God saves.”
That night, I went to my old bedroom and pulled a stack of journals off the bookcase. They were etched eight, nine, ten years ago with an illegible scrawl that reflected the tired and stress-filled times they were written in. I leafed through the many yellowed pages of thought-scratch, reliving those moments of anxiety and worry. So many of them were desperate calls to God about things I no longer remember now, reflecting crisis after crisis that seem trivial and inconsequential now. I wanted to laugh at the little boy, at his deep insecurities and obsession with doubt and suffering, and say, “You haven’t seen anything yet.”
But I didn’t because I realized that even I, the same boy a decade later, am still immersed in my own world of sorrows, conflicts, despair, and cynicism. At times of newness and regeneration, like spring and especially Easter, we are hopeful that the old wounds of our past will heal, that we can assume a new and a fresh start, that the world will be a better and brighter place . . . if not for us, then at least for our children, the icons of innocence and hope. But this belies the experiences of our own sordid history as humanity and as individual humans. Is our redemption progressive? Does anything ever change? Are our cries for salvation heard?
There is Tracy, completely paralyzed, but with a bright mind, always struggling to find ways to express her feelings and thoughts. There is Susanne, not only mentally disabled but also regularly battered by inner voices that she cannot control. There is Loretta, whose disability causes her to feel unwanted by family and friends and whose search for affection and affirmation throws her into moments of deep despair and depression. There are David, Francis, Patrick, Janice, Carol, Gordie, George, Patsy . . . each of them with a cup full of sorrow . . .
And for me things are not very different. After ten years of living with people with mental disabilities and their assistants, I have become deeply aware of my own sorrow-filled heart. There was a time when I said: “Next year I will finally have it together,” or “When I grow more mature these moments of inner darkness will go,” or “Age will diminish my emotional needs.” But now I know that my sorrows are mine and will not leave me. In fact I know they are very old and very deep sorrows, and that no amount of positive thinking or optimism will make them less. The adolescent struggle to find someone to love me is still there; unfulfilled needs for affirmation as a young adult remain alive in me. The deaths of my mother and many family members and friends during my later years cause me continual grief. Beyond all that, I experience deep sorrow that I have not become who I wanted to be, and that the God to whom I have prayed so much has not given me what I have most desired . . .
Whose cup is this? It is our cup, the cup of human suffering. For each of us our sorrows are deeply personal. For all of us our sorrows, too, are universal . . . Jesus, the man of sorrows, and we, the people of sorrow, hang there between heaven and earth, crying out, “God, our God, why have you forsaken us?” . . .
In his immense loneliness, he fell on his face and cried out: “My Father, if it is possible, let this cup pass me by” (Matthew 26:39). Jesus couldn’t face it. Too much pain to hold, too much suffering to embrace, too much agony to live through. He didn’t feel he could drink that cup filled to the brim with sorrows.
Why then could he still say yes? I can’t fully answer that question, except to say that beyond all the abandonment experienced in body and mind Jesus still had a spiritual bond with the one he called Abba. He possessed a trust beyond betrayal, a surrender beyond despair, a love beyond all fears. This intimacy beyond all human intimacies made it possible for Jesus to allow the request to let the cup pass him by become a prayer directed to the one who had called him “My Beloved.” Notwithstanding his anguish, that bond of love had not been broken. It couldn’t be felt in the body, nor thought through in the mind. But it was there, beyond all feelings and thoughts, and it maintained the communion underneath all disruptions. It was that spiritual sinew, that intimate communion with his Father, that made him hold on to the cup and pray: “My Father, let it be as you, not I, would have it” (Matthew 26:39).
Jesus didn’t throw the cup away in despair. No, he kept it in his hands, willing to drink it to the dregs. This was not a show of willpower, staunch determination, or great heroism. This was a deep spiritual yes to Abba, the lover of his wounded heart. . . .
Our culture tends towards an inflexible sense of optimism and humanism. We are convinced that true joy and human actualization must come through the eradication of pain, suffering, and sorrow. It comes as little surprise then that we hide away the sick and suffering in hospitals and mental institutions and ghettoes, or that conversations about suffering are branded as cynical and faux pas (unless they revolve around the trivial). It is only logical that our perspective on hope is sentimental and, when brutally challenged by events like Newtown or other corruptions of innocence, easily susceptible to cynicism and despair.
In the person of Jesus Christ, whose entrance into the world was humble and threatened by scandal and violence, we are reminded that hope must be divine. It must derive itself from the external, the invisible, and the eternal if it is to pose any help to our intractable, superficial, and fickle humanity. It cannot be the mere absence or abolition of suffering; it must engage it, overcome it, transform it. It does not begin from a position of strength or intimidation; it starts with weakness so that it might express itself in desire and, through satisfaction, bring joy. It has no grounding in idealism, theory, or abstraction; it instead comes from the closeness, the sweetness, and the affection of Jesus Christ, the incarnation of all we hope for.
It is this recognition of Christ’s presence in the hardness of life that brings us liberty and enables us to hope freely and challenge the darkness of cynicism, unburdened by the restrictions of sentimentality and its incongruity with reality. We can live and thrive in the darkest corners of the hospitals, nursing homes, mental institutions, funeral homes, labor camps, and ghettoes simply because Jesus says he lives and thrives there as well . . . because he has risen and resurrected from the grave.
“Then the King will say to those on his right, ‘Come, you who are blessed by my Father; take your inheritance, the kingdom prepared for you since the creation of the world. For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in, I needed clothes and you clothed me, I was sick and you looked after me, I was in prison and you came to visit me.’
“Then the righteous will answer him, ‘Lord, when did we see you hungry and feed you, or thirsty and give you something to drink? When did we see you a stranger and invite you in, or needing clothes and clothe you? When did we see you sick or in prison and go to visit you?’
“The King will reply, ‘I tell you the truth, whatever you did for one of the least of these brothers of mine, you did for me.’” — Jesus (Matthew 25)
For you did not receive a spirit that makes you a slave again to fear, but you received the Spirit of sonship. And by him we cry, “Abba, Father.” The Spirit himself testifies with our spirit that we are God’s children. Now if we are children, then we are heirs—heirs of God and co-heirs with Christ, if indeed we share in his sufferings in order that we may also share in his glory. —Romans 8
I want to know Christ and the power of his resurrection and the fellowship of sharing in his sufferings, becoming like him in his death, and so, somehow, to attain to the resurrection from the dead. — Philippians 3
Genocide, massacre, poverty, disappointment, crucifixion, famine, nakedness, death, or sword; together with Christ, with the fellowship of suffering and the drinking of its cup to its dregs, we shall have our overcoming. Somehow, we shall attain.
He is Risen! He is Risen indeed.
David graduated from Princeton University with a degree in Electrical Engineering and received his medical degree from Rutgers – Robert Wood Johnson Medical School with a Masters in Public Health concentrated in health systems and policy. He completed a dual residency in Internal Medicine and Pediatrics at Christiana Care Health System in Delaware. He continues to work in Delaware as a dual Med-Peds hospitalist. Faith-wise, he is decidedly Christian, and regarding everything else he will gladly talk your ear off about health policy, the inner city, gadgets, and why Disney’s Frozen is actually a terrible movie.